Where do truth and fear intersect?
In Crime Scene: The Texas Killing Fields, we built a main title pushing the archival textures further until they started to feel almost alive. The titles move like something surfacing — grain, blur, and light breaking through layers of decay.
The goal wasn’t to explain the story but to let its atmosphere settle in first, the sense that what’s hidden is already starting to show.
We built an in-episode graphic system of photo treatments, maps and type. The design stays simple and direct, drawing from the texture of the archive and the slow erosion of time to carry the story.
Every element was meant to feel uncovered.
